Check out the previous links fo more details! Softube and Tube-Tech are featured in top brand articles at My New Microphone. This plugin is also capable of mid-side processing (along with stereo processing), making it even more versatile in DAW applications.įor more information on system requirements and authorization instructions, check out the Softube user manual. Softube offers both features for easy parallel compression and improved compression detection, respectively. The parallel blend and sidechain low cut are now standard features on many compressor plugins. Select what the VU meter will display (input, compression or output) with a 3-way knob and choose whether the sidechain signal is internal or external. Dynamic Range Compression: Attack & Release Controls.Dynamic Range Compression: What Is The Makeup Gain Control?.Dynamic Range Compression: What Is The Threshold Control?.Dynamic Range Compression: What Is The Ratio Control?.To learn more about compressor ratio, threshold, output (makeup) gain, and time constants, check out the following My New Microphone articles: Set the attack/release controls to one of three settings and fine-tune the time constants with their own virtual knobs. Dial-in the Output Volume, Ratio, Threshold with virtual continuously variable knobs. The standard features are plentiful in this opto compressor emulation. In addition to the original controls, Softube has included extra features to make this compressor's legendary character even more versatile. From the sound of the software to the graphic user interface, this plugin is spot on. This optical compressor plugin is a complete ground-up model of the CL 1B compressor. This CL 1B brings the warm, punchy analog sound of the original and is truly a modern classic. Since 2006, Softube and Tube-Tech's partnership has brought forth many superb plugins. The Softube Tube-Tech CL 1B is compatible with Mac OS and Windows OS and comes in AAX Native, AAX DSP, AU and VST formats. To learn why they made this list, let's discuss each of the top 11 best optical compressor emulation plugins in greater detail.įor my best advice on using compression, check out my article Top 11 Best Compression Tips For Mixing (Overall).Ĭlick here to return to the Recommended Gear Page. Accessibility/compatibility: how easy is it to acquire the optical compressor emulation plugin, and what are the system requirements?.Functionality: how many different functions does it serve and/or how many parameters are available for the optical compressor emulation effect?.Ease-of-use: how user-friendly is the optical compressor emulation plugin?.Graphic user interface (GUI): how does the optical compressor emulation plugin look when loaded in the DAW?.Sonic performance: how does the optical compressor emulation plugin sound subjectively/objectively?.The criteria I used to judge these plugins include the following: That being said, I believe these plugins to be the best optical compressor emulation plugin options today. I would expect the next person's top 10 to be different from mine but hope there would be plenty of overlap. It should go without saying that any “top X” article is subject to bias. Universal Audio Teletronix LA-2A Collection.Brainworx Shadow Hills Mastering Compressor.The top 10 best optical compressor emulation plugins for digital audio workstations are: As the amplitude of the audio signal increases, the light element emits more light and causes the optical cell to attenuate the amplitude of the output signal.įor more information on optical compressors, check out my article What Is An Optical Compressor & How Does It Work? What is an optical compressor? An optical compressor is an analog compressor that uses a light element and optical cell to alter the dynamics of an audio signal. With so many options to choose from, I've compiled what I consider to be the 10 best optical compressor emulations plugins. There are plenty of excellent analog optical compressors and plugin emulations of such compressors. There are plenty of plugins that aim to emulate analog hardware in an attempt to make digital audio sound more like its nicer-sounding analog counterpart. Plugins are, therefore, invaluable assets for the modern audio engineer. We're currently living in the age of digital audio, and in-the-box mixing within a digital audio workstation is commonplace.
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